Sold out.
Limited edition of 500 copies.
Already popping up in Album of the Year lists in The Wire, Mojo, Jazzwise and The Quietus, “Exit!” was a success when it was released back in January this year, getting great reviews everywhere and leading to a number of very popular live shows. One of these you will find on ‘Second Exit’, albeit a slightly scaled down version of the full 30 member orchestra, but still sporting 13 members including new boy Goran Kajfes on cornet and previous Fire! collaborator Oren Ambarchi on guitar. The album was recorded live in concert at the Festival Les Rendez-vous de L’erdre in Nantes.
Rune Grammofon, 2014
Released 10.01.14
Alto Saxophone – Anna Högberg
Baritone Saxophone/Electronics/Conductor – Mats Gustafsson
Cornet – Goran Kajfes
Drums – Andreas Werliin, Will Guthrie
Electric Bass – Johan Berthling
Electronics – Joachim Nordwall
Guitar – Oren Ambarchi
Piano / Electronics – Sten Sandell
Tenor Saxophone – Elin Larsson
Trombone – Mats Äleklint
Voice – Mariam Wallentin, Sofia Jernberg
Fire! Orchestra is like a forever evolving organism. 2025 will see a new version of the band, playing the new program WORDS.
Line-up:
Sofia Jernberg (vocals);
David Sandström (vocals and drums);
Anna Lindal (violin and string arrangements);
Anna Neubert (violin);
Emily Wittbrodt (cello);
Mats Gustafsson (baritone sax, live electronics and conduction);
Mette Rasmussen (baritone and alto sax);
Anna Högberg (baritone and alto sax);
Adia Vanheerentals (tenor and soprano sax);
Mats Äleklint (trombone and horn arrangements);
Heida Karine Johannesdottir (tuba and electronics);
Susana Santos Silva (trumpet);
Lina Allemano (trumpet);
Julien Desprez (guitar and vocals);
Alexander Zethson (piano and keyboards);
Mariam Rezaei (turntables and electronics);
Johan Berthling (bass);
Mads Forsby (drums);
Mikael Werliin (sound).
Brutal heaviness, furiously fast crack, intense groove, extreme dynamics, immense beauty. (…) in a concert with Fire Orchestra, everything can be found, not infrequently all in one and the same song. (…) It is, as always, incredibly impressive. (Rasmus Klockljung, Lira)